A Sequence of Geometric Volumes Beside Balmoral Beach - Balmoral House by CHROFI
Project Feature
Mosman, NSW, Australia

Photography Katherine Lu
Words Bronwyn Marshall
Issue 01 Cover Soldout Web
As seen in the local project magazine %magazine%
Issue Nº1 contains just over 200 pages of inspiring, informative and engaging content curated by The Local Project.
The magazine explores a wonderfully diverse world of design, but uniting each feature is a human-centered approach to design. By which we simply mean, design that looks beyond the immediate moment and toward the broader context of human experience - of place, of history, of materiality and of culture.
In Order To Carve Out Internal And External Spaces That Were Connected, Steven Says, “it Was Important For The Clients To Have A Light

Wrapping around a series of integrated landscapes, a sequence of geometric volumes maximise aspect while dismantling the trials of the wedge-shaped site.

Completed in 2018, a three-year process unfolded to realise the Balmoral House. Steven Fighera, director of CHROFI, speaks to the resounding influences and drivers behind their approach. Built by Hough Builders, Steven says, “the concept really evolved as a consequence of the site constraints”, where, he adds, “it became a matter of finding amenity where on first appearance there seemed to be little.” The site was challenged for size owing to the rear yard having been subdivided and sold. Steven explains that this meant any project built on the site could no longer enjoy the benefits of a sunny rear yard, while the resulting wedge-shaped block was hemmed in on either side by substantial dwellings.

Denfair Magazine Feature Balmoral House, Chrofi
The resulting form is a combination of considered volumes providing shelter and optimised outward connection.
Wrapping Around A Series Of Integrated Landscapes, A Sequence Of Geometric Volumes Maximise Aspect While Dismantling The Trials Of The

In order to carve out internal and external spaces that were connected, Steven says, “it was important for the clients to have a light-filled house with a strong connection to the garden.” The resulting approach, he says “was centred around the establishment of a secluded light-filled courtyard and terrace area.” Recognising that the lower level would provide a better outward aspect toward Balmoral Beach, he explains, “the challenge then became how to arrange the built form to take advantage of this, whilst also respecting the views of the neighbours and providing an appropriate contextual response at street level.”

Completed In 2018, A Three Year Process Unfolded To Realise The Balmoral House. Steven Fighera, Director Of Chrofi, Speaks To The Reso
The combination of texture, timelessness and execution are what bring each of the functions together cohesively.
Client Residential Architecture And Design

Nearing 250 square metres, the built form was born from a brief focused on durability and minimising maintenance, and the resulting materiality is a reflection of this. The client, Steven says, “wanted the architecture to express a clean line aesthetic and monolithic robustness, yet also embrace a sense of warmth with a finer level of detail and craftsmanship.” Spread over two levels, meandering down the sloped site, the combination of texture, timelessness and execution are what bring each of the functions together cohesively. Steven adds, “we adopted a restrained palette of warm natural materials including off-form concrete, blonde slimline bricks, stone floors and blackbutt timber,” in what he describes as a “minimalist modern expression.”

The Site Was Challenged For Size Owing To The Rear Yard Having Been Subdivided And Sold.
“The adoption of generous expanses of floor to ceiling glazing and incorporation of large pivot and stacking doors, work to create a house with light-filled interiors that bring the garden inside,” says Steven Fighera.

Throughout, “a sense of porosity between spaces, both inside and out” is key to the cohesion of Balmoral House. Steven says, “it was important that the house achieve high levels of natural day lighting,” and that the “adoption of generous expanses of floor to ceiling glazing and incorporation of large pivot and stacking doors, work to create a house with light-filled interiors that bring the garden inside.” The approach to lighting, however, was one driven by a sense of sustainable responsiveness, combining low-energy, low-glare dimmable LED lighting utilised primarily, together with indirect pelmet lighting.

It Became A Matter Of Finding Amenity Where On First Appearance There Seemed To Be Little
“It was important for the clients to have a light-filled house with a strong connection to the garden.”
Built By Hough Builders, Steven Says, “the Concept Really Evolved As A Consequence Of The Site Constraints”, Where, He Adds

As an expression of its form, the wide walls created throughout provide a high degree of thermal mass, together with, Steven says, “the adoption of insulated concrete roofs, insulated masonry walls and stone floors.” Through not only calculated, but also considered measures, sustainable choices were obvious and inherent to the design itself. Steven says, “a high degrees of double glazing, and the incorporation of skylights, ensure ample day lighting, minimising reliance on artificial lighting,” together with “low-energy hydronic heating being employed for both underfloor and wall-mounted space heating, while the large pivot and stacking doors can be opened to maximise cross-ventilation.” Capturing and managing its water collection through integrated roof gardens, and subsequently reducing impact on the urban heat island affect, opportunities for passive design have been maximised.

Steven Explains That This Meant Any Project Built On The Site Could No Longer Enjoy The Benefits Of A Sunny Rear Yard, While The Resul
Balmoral House is intentionally robust, responsible and reactive to its unique site.
Balmoral House By Chrofi

Taking, as Steven says, “full advantage of its solid aesthetic,” Balmoral House is intentionally robust, responsible and reactive to its unique site. Aligning with the approach for all of their projects, CHROFI again employs their philosophy of “allowing the architecture to be experience and idea led” based on a sense of context. The resulting form is a combination of considered volumes providing shelter yet also optimised outward, in which the intended porosity of each of the internal and external spaces is key to creating a connected home.

As An Expression Of Its Form, The Wide Walls Created Throughout Provide A High Degree Of Thermal Mass, Together With, Steven Says

“The concept really evolved as a consequence of the site constraints.”

Architectural Photography Architectural Photographer
Design And Architecture Interiors
Local Australian Architecture And Design
Local Balmoral Australian Architecture And Design
The Local Project Magazine Architecture Design
Published 6 September, 2019
Photography  Katherine Lu
Issue 01 Cover Soldout Web
As seen in the local project magazine %magazine%
Issue Nº1 contains just over 200 pages of inspiring, informative and engaging content curated by The Local Project.
The magazine explores a wonderfully diverse world of design, but uniting each feature is a human-centered approach to design. By which we simply mean, design that looks beyond the immediate moment and toward the broader context of human experience - of place, of history, of materiality and of culture.
Top
This website uses cookies to improve your browsing experience. Please accept to continue. Accept Cookies